Burt Lancaster
Active - 1946 - 1994 | Born - Nov 2, 1913 in New York, NY | Died - Oct 20, 1994 | Genres - Drama, Western | Height: 6’ 1”
Rugged, athletic, and handsome, Burt Lancaster enjoyed phenomenal success from his first film, The Killers, to his last, Field of Dreams -- over a career spanning more than four decades. Boasting an impressively wide range, he delivered thoughtful, sensitive performances across a spectrum of genres: from film noir to Westerns to melodrama, he commanded the screen with a presence and power matched by only a handful of stars.
Lancaster was born November 2, 1913, in New York City. As a child, he exhibited considerable athletic and acrobatic prowess, and at the age of 17 joined a circus troupe, forming a duo with the diminutive performer Nick Cravat (later to frequently serve as his onscreen sidekick). He eventually joined the army, and, after acting and dancing in a number of armed forces revues, he decided to pursue a dramatic career. Upon hiring an agent, Harold Hecht, Lancaster made his Broadway debut in A Sound of Hunting, a role which led to a contract with Paramount. Because the release of his first picture, Desert Fury, was delayed, he initially came to the attention of audiences in 1946’s The Killers, a certified classic of film noir. It remained the genre of choice in several of his subsequent projects, including 1947’s Brute Force and I Walk Alone the following year.
After starring as Barbara Stanwyck’s cheating husband in Sorry, Wrong Number, Lancaster and his manager formed their own production company, Hecht-Lancaster, the first notable star-owned venture of its kind; more were to follow, and they contributed significantly to the ultimate downfall of the old studio system. Its formation was a result of Lancaster’s conscious effort to avoid “beefcake” roles, instead seeking projects which spotlighted his versatility as a performer. While the company’s first effort, the war melodrama Kiss the Blood Off My Hands, was not a success, they were nonetheless able to secure enough financial backing to break off completely from the mainstream Hollywood system. Still, Lancaster also continued to appear in studio productions. In 1949, he reunited with The Killers director Robert Siodmak at Universal for another excellent noir, Criss Cross, followed by Rope of Sand. He also signed a non-exclusive contract with Warner Bros., where he and Hecht produced 1950’s The Flame and the Arrow, a swashbuckler which was his first major box-office success.
Available Films:
Active - 1946 - 1994 | Born - Nov 2, 1913 in New York, NY | Died - Oct 20, 1994 | Genres - Drama, Western | Height: 6’ 1”
Rugged, athletic, and handsome, Burt Lancaster enjoyed phenomenal success from his first film, The Killers, to his last, Field of Dreams -- over a career spanning more than four decades. Boasting an impressively wide range, he delivered thoughtful, sensitive performances across a spectrum of genres: from film noir to Westerns to melodrama, he commanded the screen with a presence and power matched by only a handful of stars.
Lancaster was born November 2, 1913, in New York City. As a child, he exhibited considerable athletic and acrobatic prowess, and at the age of 17 joined a circus troupe, forming a duo with the diminutive performer Nick Cravat (later to frequently serve as his onscreen sidekick). He eventually joined the army, and, after acting and dancing in a number of armed forces revues, he decided to pursue a dramatic career. Upon hiring an agent, Harold Hecht, Lancaster made his Broadway debut in A Sound of Hunting, a role which led to a contract with Paramount. Because the release of his first picture, Desert Fury, was delayed, he initially came to the attention of audiences in 1946’s The Killers, a certified classic of film noir. It remained the genre of choice in several of his subsequent projects, including 1947’s Brute Force and I Walk Alone the following year.
After starring as Barbara Stanwyck’s cheating husband in Sorry, Wrong Number, Lancaster and his manager formed their own production company, Hecht-Lancaster, the first notable star-owned venture of its kind; more were to follow, and they contributed significantly to the ultimate downfall of the old studio system. Its formation was a result of Lancaster’s conscious effort to avoid “beefcake” roles, instead seeking projects which spotlighted his versatility as a performer. While the company’s first effort, the war melodrama Kiss the Blood Off My Hands, was not a success, they were nonetheless able to secure enough financial backing to break off completely from the mainstream Hollywood system. Still, Lancaster also continued to appear in studio productions. In 1949, he reunited with The Killers director Robert Siodmak at Universal for another excellent noir, Criss Cross, followed by Rope of Sand. He also signed a non-exclusive contract with Warner Bros., where he and Hecht produced 1950’s The Flame and the Arrow, a swashbuckler which was his first major box-office success.
Available Films:
Trivia:
In 1947 he was offered the role of Stanley Kowalski in the original Broadway production of “A Streetcar Named Desire” after first choice John Garfield was rejected due to his demands for a ownership percentage of the play. He turned down the role that went to Marlon Brando and made him a legend.
Was a big fan of the silent film The Unknown (1927), probably partially because the movie took place in a circus, and Burt himself spent a lot of time early in his life in a circus. He once said that no scene in any movie affected him as emotionally as the one in this movie in which Lon Chaney learns that Joan Crawford does not love him.
Told Bruce Davison, his co-star in Ulzana's Raid (1972), of a practical joke he played on Kirk Douglas, who was several inches shorter than Lancaster: "I'll never forget the time we were getting ready for our big two-shot and I hid his lifts on him. He was so pissed!"
He and Kirk Douglas acted together in 7 movies: Victory at Entebbe (1976), Tough Guys (1986), Seven Days in May (1964), The List of Adrian Messenger (1963), I Walk Alone (1948), Gunfight at the O.K. Corral (1957) and The Devil's Disciple (1959)
In 1947 he was offered the role of Stanley Kowalski in the original Broadway production of “A Streetcar Named Desire” after first choice John Garfield was rejected due to his demands for a ownership percentage of the play. He turned down the role that went to Marlon Brando and made him a legend.
Was a big fan of the silent film The Unknown (1927), probably partially because the movie took place in a circus, and Burt himself spent a lot of time early in his life in a circus. He once said that no scene in any movie affected him as emotionally as the one in this movie in which Lon Chaney learns that Joan Crawford does not love him.
Told Bruce Davison, his co-star in Ulzana's Raid (1972), of a practical joke he played on Kirk Douglas, who was several inches shorter than Lancaster: "I'll never forget the time we were getting ready for our big two-shot and I hid his lifts on him. He was so pissed!"
He and Kirk Douglas acted together in 7 movies: Victory at Entebbe (1976), Tough Guys (1986), Seven Days in May (1964), The List of Adrian Messenger (1963), I Walk Alone (1948), Gunfight at the O.K. Corral (1957) and The Devil's Disciple (1959)
