DAN DURYEA
AND FILM NOIR
Dan Duryea is widely recognized for his significant impact on the film noir genre. He specialized in portraying memorable and complex villains, bringing a distinct blend of charm, menace, and desperation to his roles. Duryea's performances added depth and intensity to the noir films he appeared in, making him one of the most memorable actors of the genre.
One of Duryea's most iconic film noir roles came in the 1945 classic "Scarlet Street," directed by Fritz Lang. He played the manipulative and conniving character named Johnny Prince, who takes advantage of a vulnerable artist. Duryea's portrayal of Prince, with his slick and deceitful demeanor, perfectly embodied the quintessential film noir villain. His performance elevated the tension and suspense of the film, leaving a lasting impact on audiences.
Another notable film noir in which Duryea made a significant impact was "Criss Cross" (1949), directed by Robert Siodmak. In this film, he portrayed the treacherous gangster Slim Dundee, who becomes involved in a dangerous love triangle. Duryea's performance as Dundee was chilling and menacing, with his portrayal of a man consumed by jealousy and violence. He effectively conveyed a sense of moral ambiguity and desperation, adding layers to the character and the overall atmosphere of the film.
Duryea's contributions to film noir extended beyond these two films. He appeared in numerous other noir classics, such as "The Woman in the Window" (1944) and "Too Late for Tears" (1949). His performances consistently showcased his ability to bring depth and complexity to morally ambiguous characters, becoming a staple in the noir landscape.
Overall, Dan Duryea's impact on film noir cannot be understated. His memorable portrayals of villains in various noir films added an extra layer of darkness, tension, and psychological complexity to the genre. His performances continue to be celebrated as defining examples of the classic film noir aesthetic, ensuring his lasting legacy in the genre.
One of Duryea's most iconic film noir roles came in the 1945 classic "Scarlet Street," directed by Fritz Lang. He played the manipulative and conniving character named Johnny Prince, who takes advantage of a vulnerable artist. Duryea's portrayal of Prince, with his slick and deceitful demeanor, perfectly embodied the quintessential film noir villain. His performance elevated the tension and suspense of the film, leaving a lasting impact on audiences.
Another notable film noir in which Duryea made a significant impact was "Criss Cross" (1949), directed by Robert Siodmak. In this film, he portrayed the treacherous gangster Slim Dundee, who becomes involved in a dangerous love triangle. Duryea's performance as Dundee was chilling and menacing, with his portrayal of a man consumed by jealousy and violence. He effectively conveyed a sense of moral ambiguity and desperation, adding layers to the character and the overall atmosphere of the film.
Duryea's contributions to film noir extended beyond these two films. He appeared in numerous other noir classics, such as "The Woman in the Window" (1944) and "Too Late for Tears" (1949). His performances consistently showcased his ability to bring depth and complexity to morally ambiguous characters, becoming a staple in the noir landscape.
Overall, Dan Duryea's impact on film noir cannot be understated. His memorable portrayals of villains in various noir films added an extra layer of darkness, tension, and psychological complexity to the genre. His performances continue to be celebrated as defining examples of the classic film noir aesthetic, ensuring his lasting legacy in the genre.
AVAILABLE FILMS:
ANOTHER PART OF THE FOREST (1948)
BLACK ANGEL (1946)
BLACK BART (1948)
BOUNTY KILLER, THE (1965)
BURGLAR, THE (1957)
CHICAGO CALLING (1951)
CRISS CROSS (1949)
DO YOU KNOW THIS VOICE? (1964)
GREAT FLAMARION, THE (1945)
INCIDENT AT PHANTOM HILL (1966)
JOHNNY STOOL PIGEON (1949)
MAIN STREET AFTER DARK (1944)
MANHANDLED (1949)
MINISTRY OF FEAR (1944)
NIGHT PASSAGE (1957)
ONE WAY STREET (1950)
RAILS INTO LARAMIE (1954)
RIDE CLEAR OF DIABLO (1954)
SCARLET STREET (1945)
SLAUGHTER ON TENTH AVENUE (1957)
STORM FEAR (1955)
TAGGART (1964)
TOO LATE FOR TEARS (1949)
WOMAN IN THE WINDOW, THE (1944)
WORLD FOR RANSOM (1954)
BLACK ANGEL (1946)
BLACK BART (1948)
BOUNTY KILLER, THE (1965)
BURGLAR, THE (1957)
CHICAGO CALLING (1951)
CRISS CROSS (1949)
DO YOU KNOW THIS VOICE? (1964)
GREAT FLAMARION, THE (1945)
INCIDENT AT PHANTOM HILL (1966)
JOHNNY STOOL PIGEON (1949)
MAIN STREET AFTER DARK (1944)
MANHANDLED (1949)
MINISTRY OF FEAR (1944)
NIGHT PASSAGE (1957)
ONE WAY STREET (1950)
RAILS INTO LARAMIE (1954)
RIDE CLEAR OF DIABLO (1954)
SCARLET STREET (1945)
SLAUGHTER ON TENTH AVENUE (1957)
STORM FEAR (1955)
TAGGART (1964)
TOO LATE FOR TEARS (1949)
WOMAN IN THE WINDOW, THE (1944)
WORLD FOR RANSOM (1954)
VIDEO TRIBUTE:
Dan Duryea
Dan Duryea was an American actor who was born on January 23, 1907, in White Plains, New York. He began his acting career on Broadway in the 1930s before transitioning to film in the 1940s. He is known for playing villainous characters in film noir and westerns.
Duryea's first major film role was in the 1941 film "The Little Foxes," in which he played a conniving nephew. He went on to play a string of memorable villains in films such as "Scarlet Street," "Criss Cross," and "Winchester '73." He also appeared in a number of westerns, including "The Virginian" and "Black Bart."
Despite his success as a character actor, Duryea never became a leading man. He once said, "I'm the heel, the guy everybody loves to hate." Nevertheless, his performances were often praised by critics, and he remained a popular actor throughout his career.
Duryea continued to work in films and television throughout the 1950s and 1960s, and he appeared in several episodes of "The Twilight Zone." His final film role was in the 1968 film "The Bamboo Saucer."
Duryea was married to his wife, Helen Bryan, for over 35 years until his death from cancer on June 7, 1968, at the age of 61. He left behind three children.
Duryea was married to his wife, Helen Bryan, for over 35 years until his death from cancer on June 7, 1968, at the age of 61. He left behind three children.
Quotes:
[on how he prepared for the obnoxious characters he often played] "At first it was very hard, as I am a very even-tempered guy . . . but I used my past life experiences to motivate me. The one I used when I had to slap a woman around was easy! I was slapping the overbearing teacher who would fail you in their "holier-than-thou" class and enjoy it."
"You can't make a picture without a villain . . . it pays well and you last."
"I suppose a lot of Broadway people will want to kill me for saying it, but I wanted to use Broadway so I could make more money in the movies. Some actors act for art's sake and starve. That's not for me. I can't afford it. My reputation as an actor is a good one, but I've no illusions about it being the world's greatest. A Broadway success would have given it a boost."
- Dan Duryea
Trivia:
In Winchester '73 (1950) he played Waco Johnnie Dean, the nemesis of the protagonist, Lin McAdams. In the made-for-TV remake, Winchester '73 (1967), he played Bart McAdams.
After suffering a heart attack while playing basketball at a picnic, he was advised to go into a profession less pressure-filled than the advertising job he had, so he chose acting.
HIs first professional job was as a walk-on in "Dead End" in 1935. He had asked the author, former classmate Sidney Kingsley, for a job. Duryea eventually replaced Huntz Hall in the cast.
Co-starred with son Peter Duryea in two of his later films, both Westerns: Taggart (1964) and The Bounty Killer (1965).
In marked contrast to his screen persona as a ruthless, merciless, even psychotic killer, he was a passionate gardener, was active in the PTA at his children's school, and was a Scoutmaster for the local Boy Scout troop.