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VAN HEFLIN
AND FILM NOIR


Van Heflin made a notable impact on the film noir genre with his compelling performances and ability to portray complex characters. While he is not typically associated exclusively with film noir, he had significant contributions to the genre and left a lasting impression with his roles.

Heflin's most notable film noir role came in the 1948 film Act of Violence, directed by Fred Zinnemann. In the film, Heflin portrayed Frank Enley, a World War II veteran who becomes the target of a vengeful fellow soldier. Heflin's performance as Enley, a man plagued by guilt and struggling to escape his past, showcased his ability to convey a sense of internal conflict and moral ambiguity—central themes in film noir.

Another notable film noir in which Heflin made an impact was The Prowler (1951), directed by Joseph Losey. In the film, Heflin played Webb Garwood, a morally compromised cop who becomes entangled in a dangerous affair. His portrayal of Garwood, a flawed protagonist driven by desire and ambition, added depth to the character and contributed to the film's noir atmosphere.

Heflin's ability to evoke empathy and vulnerability in his performances set him apart in the film noir genre. While he often portrayed characters with questionable morals or caught up in dangerous situations, he brought a relatability and humanity to his roles, making them more nuanced and memorable.

Although not exclusively known for his work in film noir, Heflin's contributions to the genre were significant. His performances in Act of Violence and The Prowler demonstrated his range as an actor and showcased his ability to delve into the darker aspects of human nature. His presence in film noir added depth and complexity to the stories being told, leaving a lasting impact on the genre.

AVAILABLE FILMS:


3:10 TO YUMA (1957)
ACT OF VIOLENCE (1949)
BLACK WIDOW (1954)
COUNT THREE AND PRAY (1955)
EAST SIDE, WEST SIDE (1949)
FEMININE TOUCH, THE (1941)
GRAND CENTRAL MURDER (1942)
JOHNNY EAGER (1941)
KID GLOVE KILLER (1942)
PATTERNS (1956)
POSSESSED (1947)
PROWLER, THE (1951)
RAID, THE (1954)
SHANE (1953)
STRANGE LOVE OF MARTHA IVERS, THE (1946)
WOMAN'S WORLD, A (1954)

VIDEO TRIBUTE


Van Heflin


Van Heflin
Van Heflin was an American actor who had a successful career in film, stage, and television. He was born on December 13, 1910, in Walters, Oklahoma, United States, with the birth name Emmett Evan Heflin Jr. Heflin was known for his versatility as an actor and his ability to portray a wide range of characters, from sympathetic heroes to complex villains.
​
Heflin began his acting career in theater and made his Broadway debut in 1936. He quickly gained recognition for his stage performances and earned critical acclaim for his work in plays such as "The Children's Hour" and "Johnny Johnson." His success on stage led to opportunities in Hollywood, and he made his film debut in 1942.
Throughout the 1940s and 1950s, Heflin appeared in a variety of film genres, showcasing his versatility as an actor. He earned critical acclaim and an Academy Award for Best Supporting Actor for his role in Johnny Eager (1942), where he portrayed a morally conflicted district attorney opposite Robert Taylor.

Heflin continued to deliver memorable performances in films such as Act of Violence (1948), Shane (1953), and 3:10 to Yuma (1957). In Shane, he played a conflicted homesteader caught in a battle between rival factions, while in 3:10 to Yuma, he portrayed a rancher tasked with escorting a captured outlaw to the train station. Both performances demonstrated his ability to convey complex emotions and internal conflicts.

In addition to his film work, Heflin also appeared in various television shows and made-for-TV movies. He had a recurring role in the TV series "The Virginian" and made guest appearances on shows like "The Twilight Zone" and "The Barbara Stanwyck Show."

Heflin's career continued to thrive into the 1960s and 1970s, with notable performances in films like Airport (1970) and The Last Child (1971). However, he gradually transitioned more towards television work in his later years.

Van Heflin was known for his professionalism, integrity, and ability to bring depth and complexity to his characters. He left a lasting impact on the film industry with his versatile performances and his ability to command the screen with his presence.

Heflin's personal life was marked by three marriages, and he had three children. He passed away on July 23, 1971, in Hollywood, California, at the age of 60, leaving behind a legacy of memorable performances and contributions to the world of acting.

Quotes:

"The best parts I've played have been heavies. A heavy has more fun."

"I don't mind being cast as the villain, but I wouldn't mind being cast as the leading man occasionally either." 

"You've got to have something to eat and a little love in your life before you can hold still for any damn body's sermon on how to behave."


- Van Heflin 

Trivia:

He was the first actor to win an Academy Award for a role in a gangster movie.

Turned down the role of Elliot Ness on The Untouchables (1959) TV series.

Heflin died of a heart attack while he was swimming in his pool. He managed to get to the pool's ladder, where he held on until found hours later, unconscious but still alive. He died 17 days later, never having regained consciousness. At his request no funeral was held and his ashes were scattered over the Pacific Ocean.
Explore the simpler time of yesteryear... 
A time when men and women were truly glamorous. A time when you could watch any movie with your children and not have to worry about gratuitous sex or violence – yet enjoy all the lustful inferences and edge-of-your-seat suspense.
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*** new features ***

Film Noir: The Men
Meet the hard-boiled detectives, cynical antiheroes, and ruthless villains
Film Noir: The Women
Meet Hard-Boiled Women, good girls gone bad, and femme fatales
Film Noir: The Directors
Meet the master storytellers who weave their ill-fated tales in an unforgiving dark, shadowy world.

Picture
Meet The Women who pushed the boundaries of moral, social, and artistic conventions... 
Part I
Part II